jeudi 24 avril 2014

Dans ses yeux

The secret in their eyes (Juan José Campanella, 2010)

    The secret in their eyes is a striking movie, giving a lot of thoughts to the viewer. It tells the story of Benjamin Esposito who wants to solve an old criminal case which was opened 25 years ago: a woman was raped and murdered. This case has haunted Esposito, who decides to reopen it to find the culprit. Meanwhile, he has always been in love with Irene, an investigating judge who works with him, but can’t confess his feelings.
    The actors are really good and act well. Ricardo Darin and Soledad Villamil are convincing in their roles. Their presence is powerful in the screen. Esposito’s friend, Sandoval , is also a great character, bringing a comic touch in the movie.  The characters are quite complicated and believable.

    The movie is really well-structured, with some flash-backs of the murder scene and of Esposito’s love story. Moreover, the atmosphere is full of melancholy and memories of the past. Morales, the husband, is always thinking about what happened to his wife, and how it happened… He doesn’t live in the present, making hypothesis on what could have happen if he had done something else. The movie also tackles several deep questions about the value of a crime and how it can be punished.   According to Morales, the best way is to make the criminal live an “empty life”. This is what he suffers in the end, being imprisoned in Morales’ house who has never said a word since he locked Gomez up. The effects of such a story on people are also mentioned in the movie. In fact, not only the criminal is imprisoned, but also Morales, who tries to live with the weight of the past. He realizes that he is slowly forgetting the memories of his wife.

    The final scene shows that the“prison” feeling is endured by the culprit, but also by Morales. The composition of the shot is really expressive: both characters are shown behind bars. We can also see the themes of failure and success. First, Esposito fails to solve the criminal case and can’t find the suspect. And even if in the end, he knows the murderer, Gomez, is imprisoned in Morales’ house, he still has the case on his mind. But also, he has never confessed his love to Irene until the very end of the movie. Moreover, he has trouble writing his novel and don’t know how to begin it. But he finally managed to solve everything and the movie ends with a note of hope.

    The subject of the look is also often present in the movie. Indeed, the way the murderer is looking at Morales’ wife on the old pictures, and the analogy with Esposito and Irene pictures. This look finally allows the case to be solved. But also, the final scene relies also on the look of the three characters through the prison bars.
    Concerning the movie direction, the way it is filmed is really academic and not original. The other criticism we can make is the very slow rhythm of the movie. The shots really stretch and last a long time.
    However, the dialogues are really good and the scenario is interesting. Some shots are technically really good, such as the soccer field scene… and the camera-work is pretty much impressive, with a lot of sequence-shot.
   The movie also offers an historic context of the ascent of the dictatorship in Argentina and shows the corruption of the juridical system at that time.

    In the end, we can say that The Secret in their Eyes is a beautiful movie, emotionally involving the viewer. This movie is a good way to discover Latin-American cinema, with an interesting scenario which blends love, violence, humor and a criminal case.

vendredi 18 avril 2014

La estrella del cine

Malgré son abord simple et décontracté, l'acteur argentin Ricardo Darin est la star du cinéma hispanophone. Après une longue carrière à la télévision dans des séries à l'eau de rose, il est révélé par le réalisateur Fabian Bielinsky dans le film El Aura , en 2005. En effet, c'est un fils d'acteur qui tourne depuis l'âge de cinq ans. Son père s'opposait à sa carrière d'acteur parce que, comédien lui-même, il a vu sa propre carrière détruite par l'arrivée de la télévision. Sous la dictature, il a contribué à l'entreprise d'anesthésie des consciences à travers la télévision, mais en 1982, il met son talent au service des combats associatifs dans un esprit démocratique pour défendre les valeurs démocratiques.

Texte mis en forme par Clément Le Chanu, à partir du travail réalisé en accompagnement sur l'article "Le parrain de Buesnos Aires" de Guillemette Odicino, Télérama 3343,  5 février 2014.

mercredi 9 avril 2014

Ricardo Darìn, acteur de qualité

 Ricardo Darin. © Jorge Bisbo  
Ricardo Darin Copyright Jorge Bisbo

Bien qu'il soit une star du cinéma hispanophone, Ricardo Darìn est un homme modeste et simple. Né de parents acteurs, il tourne depuis son enfance. Après s’être spécialisé dans le feuilleton télévisuel et dans les petits rôles du cinéma argentin, il est propulsé dans sa carrière de star en 2005 avec le film El Aura. Son père, dont la carrière a été mise à mal pas la télévision, ne voulait pas que son fils soit comédien. Sous la dictature, Ricardo Darìn joue dans des séries de télévisions anesthésiantes, mais à partir de 1982 il entre dans le combat associatif. Il met son charisme au service des valeurs démocratiques en aidant les gens, en particulier les jeunes cinéastes. Et il ne cesse d'être engagé par de grands réalisateurs.

Texte mis en forme par Salim Amara, à partir du travail réalisé en accompagnement sur l'article "Le parrain de Buesnos Aires" de Guillemette Odicino, Télérama 3343,  5 février 2014.